Design, and investigation in general, thrive on a challenge. So Bastus Trump, working with none other than Monolake co-founder and Ableton imagineer Robert Henke, took on the call to make the blank glass of an iPad behave more as an instrument might. The results, filling that screen with overlapping circles, are impressive, exploiting continuous touch … Continue →
Photo by Nina Mouritzen; courtesy Julie Covello/Shakey. In an explosion of color, buttons, keys, velcro, and fur, and coupled with a cyborg-chic eyepiece, the VoltAxe is controllerism gone Mad Max, a post-acocalyptic keytar bred from salvaged parts. And if you want to make a unique construction of your own, creator Julie Covello – aka New … Continue →
Turning music and sound into three-dimensional worlds often yields something that fields like a trip through space. But this feels like a real trip. Through pulsing, glowing starfields, “Versum”‘s audiovisual movements are brain-bendingly transformative. Artist Tarik Barri has created an integrated world of sound and image that makes the interface and the compositional realms seamless. … Continue →
Dewanatron’s Brian and Leon were on-hand with their unique inventions. Photos by Marsha Vdovin for CDM. For the lover of musical instruments and technology, southern California’s NAMM show is a giant toy shop. It’s work for many of its attendees, of course, but we know many of our readers dream of the objects that will … Continue →
Brainfeeder at work. Photo (CC-BY-NC-SA) Theo Jemison Photography. Writing about music may indeed be like dancing about architecture, so why not give music a listen? If you’re not already familiar with the terrific Los Angeles label Brainfeeder, founded by Flying Lotus, now’s the time to discover its artists. If you are familiar with them, you … Continue →
Photo (CC-BY-NC-SA) Henrik Berggren. De:Bug is one of my favorite reads in music technology. And while I can fake my way through French and Spanish, De:Bug is also the one non-English publication I read daily. So I’m gratified to get to write a byline for the publication, which someone was nice enough to translate into … Continue →
Photo: Marsha Vdovin for CDM. Remember when electronic sound gear hid in hulking, rack-sized cases? Korg’s Kaossilator series had already begun shrinking the desktop KAOSS Pad gear, but even the first-generation Kaossilator wouldn’t fit in your pocket, given its square shape and corners. (Well, unless you were wearing overalls.) The Kaossilator 2 and Mini Kaoss … Continue →
Music is deeply tied up with motion; seeing that in a machine is somehow satisfying. Soundmachines, from the enigmatically-titled Berlin studio TheProduct*, is an interactive physical installation made from optical turntables. By moving the “tone arm” – really in this case an optical sensor attached to an extended mount – you can change rhythms and … Continue →
Continuing our insight into this view into electronic music performance and art through the lens of BodyControlled in Berlin, we’re joined by guest writer Kristin Trethewey. Kristin, a Canadian-born video artist and curator, takes another look at LEAP and BodyControlled, on the eve of its second installment. She gets straight at the question of what … Continue →
Alex Nowitz for BodyControlled #2 from CDM on Vimeo. Electronic media artist Mario de Vega (Mexico City/Berlin) says his work plays with the creation of “unstable systems.” As part of the official Vorspiel, or lead-up, to Berlin’s massive Transmediale festival, here we get to visit two artists working with the materiality of live performance, drawing … Continue →
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